Originally from Adelaide, Tyler Jenke is a Melbourne-based journalist, author, and musician with more than a decade of experience in writing and publishing. Having originally created an exhaustive database dedicated to triple j’s Hottest 100 countdown, the past six years have seen them working as a prolific writer across websites such as Tone Deaf, Billboard, and Music Feeds, with three years spent as the Editor of Rolling Stone Australia. Outside of the world of the written word, you can often find them researching obscure music facts, working on their own musical career, collecting copious amounts of vinyl, tapes, and CDs, or simply situated in the front row of a live concert.
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As Killing Heidi get ready to hit the road for 25 years of their 'Reflector' album, Ella and Jesse Hooper take the time to reflect on the album, its success, and the upcoming shows.
Having made their long-awaited return to the stage last year, Sydney's Tonight Alive are finally making their way back to Melbourne.
The ever-impressive Tanya George has returned with the music video for her latest single, the bold 'Serious.'
As the Northcote Social Club celebrates 20 years, Venue Manager Emily Ferris has reflected the 20 iconic sets that the venue has hosted that are still talked about to this day.
"Any fragment of a relationship I could have had with anybody in my family was forever ruined, and it caused a lot of pain and it caused a lot of hurt," Eden explains in new podcast, 'The Moment It Changed: Touchdown.'
As Naarm/Melbourne quartet Assteroid unveil their self-titled debut EP, Penny Walker-Keefe shares an in-depth track-by-track journey through its '90s-influences cuts.
“I know the whole community looks forward to this game and not just black fellas, it's a great example of what our kids can aspire to be as artists, as footballers, and anything else they want to be," says Briggs.
After seven years, Support Act has officially expanded its Wellbeing Helpline to cater to all workers across Australia’s diverse creative industries.
Described by Sigur Rós bassist Georg Holm as "almost an inevitable thing to happen," the lush experience of Sigur Rós' orchestral tour finally makes its way to Australia this month.
"Whether we like to admit this or not, ritual humiliation of young singers was kind of part of this," remembers former 'Australian Idol' judge Ian ‘Dicko’ Dickson.