Originally from Adelaide, Tyler Jenke is a Melbourne-based journalist, author, and musician with more than a decade of experience in writing and publishing. Having originally created an exhaustive database dedicated to triple j’s Hottest 100 countdown, the past six years have seen them working as a prolific writer across websites such as Tone Deaf, Billboard, and Music Feeds, with three years spent as the Editor of Rolling Stone Australia. Outside of the world of the written word, you can often find them researching obscure music facts, working on their own musical career, collecting copious amounts of vinyl, tapes, and CDs, or simply situated in the front row of a live concert.
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“Good to know that 9 years after the last one, we still have something to say,” explains vocalist and guitarist Dougy Mandagi.
"Whether it’s a relationship with a person or a vice, most of us have found ourselves, at some point, unable to let go of something that drains our life force," explains Darren Cordeux.
As the once-defunct Dillinger Escape Plan return to Australia to play their debut album, 'Calculating Infinity,' it's still as clear as ever why they're considered one of the world's greatest live bands.
"We've had some incredible experiences playing in Australia and it's always something that we look forward to doing."
“Any amendment to the Copyright Act to include a new AI exception would represent a dangerous step backwards," reads a new statement from AIR.
"We're not sure where this came from but please don't be fooled,” they note. “Neil's never had trouble with erections.”
“I really had no expectations for it to be anything but a little side project to keep me busy while Powderfinger was on a break."
“If the bones are good, if the bones let the song survive context, if you pull it out of acoustic guitar, you put a piano there and it works, it’s a good song,” Ebert explains of the 2009 track.
Regurgitator will be hitting the road this November as part of their Jukeboxxin' tour, diving deep into their storied history to offer up a solid “fistful of fizzers” at every date.
“Personally, I like hearing from artists directly and hearing them tell their own stories," says Kelly. "And if I am the only one who thinks that, I think more media outlets and more journalists should be open to it."