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Mark Griffin, Contributor

Mark Griffin
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Features / Opinion
Yusuf / Cat Stevens soundchecking at Perth Arena
OPINION: AI Might Be Able To Mimic Things, But It Will Never Speak The Fundamental Truth Of Music (Or Humanity)
"I have no interest in a world where everything I read, everything I listen to, everything I watch is generated not by a person, but by lines of code."
Industry / Opinion
Groundwater Country Music Festival 2023
OPINION: Why Access To Musical Education Will Transform Music In Australia
"I want whoever wins to fund the living sh*t out of music education in this country. That’s it. That’s my ask."
Features / Opinion
Concert crowd
OPINION: Does The Australian Music Industry Need More Critique?
If no one tells you they don’t like your track, let alone why, how are you supposed to improve?
Features / Opinion
Pearl Jam
OPINION: Chris Cuffaro, Pearl Jam And The Last Gasp Of Analog Glory
In our current age, that sense of analog authenticity, both in Chris’ photos and in grunge music, has an extra potency.
Features / Opinion
Miley Cyrus, Bruno Mars
OPINION: Copyright Is Great For Business, But Is It Killing Creativity?
If these kinds of lawsuits had occurred 40, 50, or 60 years ago, then many classic artists would have been wiped out by litigation.
Features / Opinion
Close up of an electric guitar
OPINION: The Future Of Live Music In Australia Isn't With Guitar-Based Indie Bands
Another aspect of the ‘Is live music in Australia dead?’ argument should be considered. We must ask, “What do we mean by live music?”
Industry / Feature
Spotify DJ
OPINION: We Don’t Pay Enough For Music
“For our part as consumers, maybe $13.99 a month is far too little to pay for something as powerful as music.”
Industry / Opinion
triple j
OPINION: We Love Triple J, But It Needs To Be Punk Again
Triple J has gotten kind of middle-aged, and it’s in a very different media landscape from the one it launched in. It needs to find its edge again.