Album Review: The Modern Congress - The Protagonist

The omniscient Tim Rollinson is the figurehead behind The Modern Congress, a musical collective made up of Australia's finest session musicians. The Protagonist is the 11th studio album that the DIG (Directions In Groove) founding guitarist has played a big part in writing and producing, not to mention the additional 20-odd recordings he has featured on. However, while many have revered the virtuoso for his jazz collaborations, this album delves into a musical realm so expansive that to confine it to a single genre would be an injustice to the whole production. Instead, what's prominent throughout is an inherent maturity, a suave, urban thread that weaves throughout the entire collection.

It's important to point out that while this record is peppered with contemporary licks and experimental drum patterns, it is one of sophisticated finesse that requires attuning to a mature ear. The melodies are mellow and undemanding yet dignified in the obvious artistry of the collaborators. It's for this reason that Mesquite is a fitting opener and an exemplar of the overall sound. The worldly beats both haunt and sooth in the same way Gotye channelled new wave experimentalism with his record, Like Drawing Blood. Justified invites vocalist Linda Janssen, who sings with wounded, emotive precision, while Tina Harrod enchants with an impossibly high vocal register in Little Man, Big Man against a backdrop of delicate keys and addictive groove.

The hazy beats and earthy rhythms drift in and out without fuss, making the record a compelling listen. This is best found in the instrumental tunes, such as Mesquire, Peaceniks, and the title track, The Protagonist. The album is likely to strike a chord with the esoteric jazz crowd; however it's also filled with universal tones that will invite listeners from far and wide.