The Book Of Mormon

The politics of power is the underpinning theme of Broadway hit, The Book Of Mormon. At times, it can be hard to decipher whether the show in itself is a celebration or a criticism of the Church Of Jesus Christ Of Latter-Day Saints. What was certain is the show straddles the fine line between Mormon propaganda and an intelligent commentary on gender and colonialism, with a memorable soundtrack and an energetic cast bringing it all to life. 

This award-winning musical is a coming-of-age story featuring two young Mormons on their mission to spread the word of the Lord and grow the Church. On opening night, the packed-out Festival Theatre audience was in tears of laughter, joy and sorrow as we navigated through the ins and outs of becoming a successful Mormon. The jolly, “imaginative” and nerdy Elder Cunningham (Nyk Bielak) was the show’s unlikely protagonist and holy saviour. This was contrasted with Blake Bowden’s portrayal of Elder Price, the smooth crooner captivating the audience with his confidence, Australian accent and wonderfully quaffed hair. Cunningham and Price are paired together on a mission to Africa, shaking Elder Price’s faith in God – he had prayed for a mission in Orlando – with Elder Cunningham just excited to have a friend. The progression of the plot throughout is deeply satisfying because we see these two characters in competition with each other until the very end when their faith in themselves is ultimately at stake. 

Given that the creators of The Book Of Mormon, Matt Stone and Trey Parker, are also responsible for the lewd cult comedy South Park, this show too, fears no retribution for sharing expletives, stereotypes and very apt metaphors. It is crass, but in good way, because it is unapologetically bold in quick doses. Similarly, the production set was detailed and allowed for smooth quick mood transitions in between the acts. This was acute when the cast performed Spooky Mormon Hell Dream. Altogether the smooth production allowed the audience to focus on the take-home message from the musical – belief in self-empowerment and the power to enact positive change for the good of mankind.

The Book Of Mormon is something that is perhaps a little bit different to your traditional West End shows, but perhaps change is good. There are still the quintessential musical tropes of tap-dancing routines, solo power ballads, sequins and iron-crisp white shirts on stage. However, the cutting-edge commentary and ridiculous concept make it unmissable and addictive. The Book Of Mormon could be a good way in for those people who don't like musicals. Knock on their door, and get them to consider changing their mind for the better. Amen.