"[A]nother quality listen from the godfather of indie."
Beck’s latest album is a mash-up of uplifting, synth-inspired '80s anthems and layers of vocals with just enough '90s-style Auto-Tune to give it urban credence. A stream-of-consciousness collaboration with Pharrell Williams, the latter contributing drums, keys and “mumbles”, further cements its R&B credentials.
This is yet another reinvention of Beck, which tends to happen every two or so albums – this time with a seasoned and respected musical partner helping out. Songs such as Die Waiting and the seemingly Darren Hanlon-inspired Chemical both showcase his and the former NERD frontman’s songwriting talents. Surprisingly, the second half of the album lifts it to another level, and features the title track, the clear standout song. One can’t help thinking Beck’s inspiration is more contemporary these days, as there are clear parallels with Kevin Parker’s recent Tame Impala projects. Stratosphere and Dark Places continue this theme and cap off a well-rounded record.
With this much talent behind the dials, one can’t help thinking there should have been more singles. This may leave fans wanting, although the album as a whole is another quality listen from the godfather of indie.