The album envisions a timeline where Australia's history is rich with inclusivity.
Robbie James. (Supplied. )
Renowned GANGgajang guitarist Robbie James has unveiled his second classical album, Dreaming In The Sand, delving further into the realm of classical Australian music.
The album, released by Move Records, is his sophomore classical release. Once more, he pairs up with Bentley String Quartet to detail the narrative of the historical relationship between ancient traditions and modern culture.
Dreaming In The Sand delves into Australia’s rich and sombre history, imagining it from the lens of a nation founded on inclusivity rather than hurt.
The album pays tribute to the ancient Map of Songs, a concept that underpins the narrative of Australia's rich cultural history. Many Indigenous groups mapped out Australia early on using songlines, where tunes were created and kept through families describing landmarks to travel certain routes.
Throughout the quintet, James depicts pivotal moments in Australia's history. One movement illustrates a day in the life of a kangaroo during Captain James Cook's arrival at Kamay (Botany Bay), portraying the coloniser as a "Ghost on the Beach."
The narrative continues with the character Suzannah, who sails with the First Fleet and forms a profound connection with an Indigenous inhabitant named Wadni, reflecting themes of unity and conflict resolution.
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The project comprises nine movements performed live by the Bentley String Quintet at Brisbane’s New Benner Theatre.
James’ previous work, String Quintet No. 4: The Marree Sisters, garnered acclaim, establishing him as a significant voice in contemporary Australian composition. With Dreaming In The Sand, James further solidifies his artistry, merging his multifaceted musical background with rich storytelling.
Robbie James’ latest album is available via streaming platforms and CDs through the Australian Music Centre.
This piece of content has been assisted by the Australian Government through Music Australia and Creative Australia, its arts funding and advisory body