Cable Ties Have Tapped Into Something Heavy And Primitive On 'Far Enough'

Picture three figures, closely grouped between numerous amps and drums, hunched over their instruments in the middle of a large warehouse as heavy guitars at full volume fill the voluminous space and make their way through cables to an analogue desk. That was the scene as Melbourne trio Cable Ties laid down the tracks that make up their second album Far Enough.

With engineer and producer Paul Maybury (Rocket Science) behind the controls, the band knew they were in good hands after working with him on their debut album. “We love Paul so much,” enthuses singer, songwriter and guitarist Jenny McKechnie. “Personally speaking he’s really good at knowing what you’re capable of. When we went in and recorded our first 7” he got us playing it again and again and I think that made the single something that we couldn’t foresee at the time. On this record he’s both the recording engineer and the producer, so he knew how far he could push it to get the best out of us and when to tell us to shut up and that we got the best take.”

"You can’t feel the bass in your lungs when you listen to a record.”

The band have built up a strong reputation over the last half-decade for their blistering and impassioned live shows and McKechnie identifies the essence of those performances as something they’re always striving to embody when they’re in the studio. “What we always want to do with a record is achieve that similar live feeling of excitement and capturing those emotions obviously has to be done in a different way because you can’t feel the bass in your lungs when you listen to a record.”

Sonically there’s a clear progression and evolution with Cable Ties’ sound on Far Enough. It’s heavier, more primitive and they’ve added a weightier '70s rock framework to their punk sensibilities. As McKechnie explains, it’s a sound born of experience and a deep and intense exploration of the power of the riff. “From recording the first album to recording the second one, it was a matter of having a lot more miles under our belt, playing a lot more and getting a sense of who we are and what we wanted our sound to be – which was different to the first record. This one’s got a bit more of the primitive rock’n’roll thing going on,” says McKechnie. “It’s a bit heavier and that came out of us going into the rehearsal studio and jamming on a riff for at least 30 minutes. If you can’t do it for half an hour, it’s not worth it!”

The synchronicity of McKechnie’s playing with drummer Shauna Boyle and bass player Nick Brown is key to their sound, and how astutely they can turn three-minute punk songs into six-minute hypnotic workouts. “It comes from jamming a lot and we’re all obsessed with repetition, the build and release of tension and chasing that cathartic rush and feeling that you can get from long jams and loud amps. That’s what we love about rehearsals and being in the band and so that’s what comes out on the record.”

Anyone who has heard Cable Ties is left in no doubt that this is a band who wear their hearts and beliefs on their collective sleeves. McKechnie populates her songs with intelligent, poetic and passionate commentary on a range of social, cultural and political topics. It’s something she’s always done as a form of catharsis and raising of awareness. “Even when I was writing folk songs in my bedroom as a teenager, I’ve always written about political issues because I’ve always gotten really upset about them and needed a way to process them. That’s what I’m continuing to do to this day,” she explains, before adding, “With this album it’s taking a bit of a jump from the last one in that it’s doing that and also starting to be a bit more self-reflective as well.

“We worked really hard on it and I put all my feelings on it," says McKechnie proudly. "I don’t really hold back much!”